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The plot involves two young men who hold a family hostage and torture them with sadistic games in their vacation home. The film was entered into the Cannes Film Festival. A wealthy family—Georg, his wife Anna, their son Georgie, and their dog Rolfi—arrive at their holiday home beside a lake in Austria.

They spot their next-door neighbor Fred accompanied by two young Viennese men whom they do not recognize. Fred introduces the men as Peter and Paul, one of whom Fred claims is the son of a friend. Shortly after the family settle in, Peter and Paul begin imposing themselves on the family's courtesy. First Peter asks to borrow eggs which he keeps breaking, supposedly by accident, also destroying the family's phone with his apparent clumsiness.

Eventually, a frustrated Anna demands that the men leave, asking Georg to eject them from the premises. Peter breaks Georg's leg with the latter's golf club while Paul reveals he has killed Rolfi, and the two men take the family hostage.

Shortly after, neighbor Eva, in the company of several friends, arrives at the family's dock on her boat. Paul escorts Anna to greet them. Anna lies, stating that Paul is a family friend, and says that Georg is resting, having pulled a muscle while setting up the yacht. Anna tells Eva the family may come over after dinner. Over the following several hours, Peter and Paul subject the family to sadistic games; Paul demands Anna remove her dress after Peter states he would not have sex with her.

Paul then covers Georgie's head in a pillowcase, but Georgie eventually flees to Fred's house, which he finds empty. Paul chases after him, cornering him in the house. Georgie attempts to shoot him with a shotgun , but finds the gun has no ammunition. Paul returns Georgie to the home, bringing the shotgun with him. Paul asks if the family wants to bet whether they will still be alive by the next morning, though he doubts that they will win. Between playing their games, the two men keep up a constant patter, and Paul frequently ridicules Peter's weight and lack of intelligence.

He relates contradictory stories of Peter's past. No definitive explanation of the men's origins or motives is offered. After a few more games, Peter plays a counting-out game between the family members and shoots Georgie while Paul makes sandwiches in the kitchen.

After this, both intruders leave. Georg and Anna weep for their loss, but eventually resolve to survive. Anna flees the house while Georg, with a broken leg, tries to repair the malfunctioning phone. Anna struggles to find help, but eventually Peter and Paul reappear, capture her, and return to the house. They kill Georg and take Anna out on the family's boat early the next morning.

Around , Paul casually throws the bound Anna into the water to drown, thus winning their bet. Shortly after, the men arrive at Eva's house and knock on the door, asking for some eggs. The film frequently blurs the line between fiction and reality, especially highlighting the act of observation.

The character Paul breaks the fourth wall throughout the film and addresses the camera in various ways. As he directs Anna to look for her dead dog, he turns, winks, and smirks at the camera.

When he asks the family to bet on their survival, he turns to the camera and asks the audience whether they will bet as well. At the end of the film, when requesting eggs from the next family, he looks into the camera and smirks again.

Only Paul breaks the fourth wall in the film, while Peter makes references to the formulaic suspense rules of traditional cinema throughout the film. Paul also frequently states his intentions to follow the standards of film plot development.

When he asks the audience to bet, he guesses that the audience wants the family to win. After the killers vanish in the third act, Paul later explains that he had to give the victims a last chance to escape or else it would not be dramatic. Toward the end of the film, he postpones killing the rest of the family because the film has not yet reached feature length.

Throughout the film, Paul shows awareness of the audience's expectations. However, Paul also causes the film to go against convention on a number of occasions. In thrillers, one protagonist that the audience can sympathize with usually survives, but here all three family members die. When Anna successfully shoots Peter, as a possible start to a heroic escape for the family, Paul uses a remote control to rewind the film itself and prevent her action.

After Peter shoots Georgie, Paul scolds him for killing the child first because it goes against convention and limits the suspense for the rest of the film.

At the end of the film, the murderers prevent Anna from using a knife in the boat to cut her bonds. An earlier close-up had pointed out the knife's location as a possible set-up for a final-act escape, but this becomes a red herring.

At the end of the film, Paul again smirks triumphantly at the audience. As a self-aware character, he is able to go against the viewers' wishes and make himself the winner of the film.

After killing Anna, Peter and Paul argue about the line between reality and fiction. Paul believes that a fiction that is observed is just as real as anything else, but Peter dismisses this idea. Unlike Paul, Peter never shows an awareness that he is in a film. Haneke states that the entire film was not intended to be a horror film.

He says he wanted to make a message about violence in the media by making an incredibly violent, but otherwise pointless film. Film scholar Brigitte Peucker argues that the film functions to "assault the spectator," adding: "On the surface, Funny Games appears to exemplify what Stephen Prince 's idea of responsibly filmmaking It takes, therefore, an aggressive—not to say sadistic—posture toward its audience.

Haneke wanted to make a film set in the United States, but for practical reasons he had to set it in Austria. Austrian critics argued that the intention was to undermine the heimat genre and its values, which are bourgeois and based on the home.

European and English-language critics, according to Robert Koehler of Cineaste , "generally set their criticism against the backdrop of the American slasher film that the film was subverting" and "expressed mild forms of outrage along with admiration". The site's critical consensus states: "Violent images and blunt audience provocation make up this nihilistic experiment from one of cinema's more difficult filmmakers".

Variety's David Rooney wrote: "the film is shocking and upsetting, but never truly gets under the skin the way this kind of material often can. An American remake of the same name was released in From Wikipedia, the free encyclopedia. This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.

Main article: Funny Games film. Archived from the original on 27 May Retrieved 27 May British Board of Film Classification. Retrieved 29 May Archived from the original on 10 July Retrieved 21 September In Roy Grundmann Ed. Chichester, West Sussex: Wiley-Blackwell. Retrieved on 12 October Senses of Cinema. Retrieved 7 November Rotten Tomatoes. Retrieved 10 January Entertainment Weekly. Michael Haneke. The Castle Michael H — Profession: Director Categories : films s crime thriller films s thriller drama films independent films s psychological thriller films Austrian films Austrian drama films German-language films French-language films Films about psychopaths Films directed by Michael Haneke Films set in Austria Home invasions in film Austrian independent films Self-reflexive films s serial killer films Torture in films.

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Original release poster.

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The plot involves two young men who hold a family hostage and torture them with sadistic games in their vacation home. The film was entered into the Cannes Film Festival. A wealthy family—Georg, his wife Anna, their son Georgie, and their dog Rolfi—arrive at their holiday home beside a lake in Austria.

It was released in The game is loosely based on the film, Men in Black. Men in Black: The Game is an adventure game played from a third-person perspective , with fixed camera angles that change as the player moves to each new part of a level.

If this is your first time registering, please check your inbox for more information about the benefits of your Forbes account and what you can do next! It has been heavily publicized, often in the form of pie charts, as illustrated by this figure from the Consensus Project. Although the degree of consensus is only one of several arguments for anthropogenic climate change — the statements of professional societies and evidence presented in reports from the Intergovernmental Panel on Climate Change are others — there is data to suggest that support is lower. Both papers were based on analyses of earlier publications.

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Video from a police bust of an alleged secret cannabis grow room has shown the moment officers stumble across a large pet carpet python. The raid was being conducted on a home at Millaa Millaa, about two hours south of Cairns in north Queensland on Wednesday night. The footage shows one of the officers carefully handling the python and placing it up on a shelf out of the path of remaining police. The clip then shows what is alleged to be the cannabis grow room concealed behind tarp and equipped with bright indoor lights. Police say around 7pm they attended the residence about another matter and observed cannabis plants which prompted the search.

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See the full list. Title: Escape from New York Snake Plissken is once again called in by the United States government to recover a potential doomsday device from Los Angeles, now an autonomous island where undesirables are deported.

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